The Five Borough Songbook enjoyed an auspicious premiere earlier this month at the Galapagos Art Space, in that Brooklyn neighborhood designated as DUMBO, Down Under the Manhattan Bridge Underpass. From twenty of the dayâ€™s significant composers, the Songbook gathers twenty songs, each expressing facets of New York City life. As happened, one of the commissioned artists was unable to make the deadline; a twentieth song should be added at the next performance in Queens on November 12. The extant cycle is of conspicuous artistic merit.
The Galapagos Art Spaceâ€™s interior â€“ with its seating islands arranged over an indoor pool â€“ served as a symbolic representation of New York Cityâ€™s geography, each borough, at least to some extent, separated from the others by water. Ricky Ian Gordonâ€™s O City of Ships stirringly launched the cycle on its energizing course and then was followed by Christopher Tignorâ€™s more intimate Secret Assignation. Tignor included in the program notes instructions to read silently along, at appropriate moments, with parenthetical unsung passages in Lewis Warshâ€™s text Â — difficult to accomplish because of the dark lighting — yet I believe the requested participatory reading would enhance the listenerâ€™s experience of the song. In any event, it is unusual that an audience is asked to participate in a song performance in that manner. Matt Schickeleâ€™s Days afield on Staten Island sets a poem by naturalist William Thompson Davis; the music poetically evokes the sylvan scene described in the lyric.
This reviewer needed to take the A train to get to Galapagos but boarded what was actually a D train maddeningly mismarked as an A and so — across at Brooklynâ€™s Atlantic-Pacific station — had to hop the R back to Jay Street in order to get on the real damned A train and thus was perfectly primed for Gilda Lyonsâ€™ delicious â€œrapid transit.â€ Soprano Martha Guth and mezzo Blythe Gaissert sat facing one another upon chairs, as though on opposite sides of a subway car and then began soulfully singing â€œNYC, MTAâ€ at each other a cappella. Lyonsâ€™ musical lines do certainly trump train lines; the audience appropriately laughed its approval over the expressively rendered â€œExpect delays in 2 and 5 service at this time.â€ Composer Russell Platt and poet Paul Muldoon are real New Yorkers â€“ (both work for The New Yorker) â€“ Plattâ€™s setting of Muldoonâ€™s The Avenue (II) conveys the enigmatic pains of a love affair snuffed by fate or something or other. Tenor Alex Richardsonâ€™s virile, compelling delivery of the opening verse â€“ â€œNow that weâ€™ve come to the end/Iâ€™ve been trying to piece it togetherâ€ â€“ drew the listener in; his skillful handling of the remainder of the song was matched by pianist Thomas Bagwellâ€™s able accompaniment.
F from DUMBO, another of the Songbookâ€™s tributes to the Cityâ€™s storied underground, has Glen Roven treating Michael Tyrellâ€™s poem with polished pizzazz in a scena that includes a startling line about â€œThe flasher whose dick got caught in the closing doors.â€ The New Yorkers, with music and verse by Daron Hagen, presents an older married New York couple reflecting on how their expectations of the city have changed over time without ever eliminating their feeling for it. Guth and Richardson sang Hagenâ€™s song from the inside out, meaning, they fully captured and communicated its essence.
Mohammed Fairouzâ€™s treatment of W.H. Audenâ€™s Refugee Blues rises to the historical and emotional scope of the poem â€“ callousness to immigrantsâ€™ humanity and desperation, alas, still a topic of no small relevance. Gaissertâ€™s rich, resonant, varicolored tone was aptly suited to Fairouzâ€™s dramatic vocal writing. Richard Pearson Thomasâ€™s The Center of the Universe is a sly take on the transformation of Times Square/42ndÂ Street, from a squalid dump New Yorkers avoided, to a glittery tourist trap that they with snooty pride avoid more fervently still. Here, as each time they sang together, Guth, Gaissert, Richardson and baritone David Adam Moore performed beguilingly in ensemble.
The first half of the Songbook should be allowed meditative space after its end; deplorably, Galapagos rather immediately began blaring canned cacophony to help spoil the intermission. A critic might well reproach the out-of-condition piano used on this occasion for its production of bizarre buzzes and twangy twinges just where the critic least desired them. Bagwell and the eveningâ€™s second pianist, Jocelyn Dueck, made a silk purse out of that sowâ€™s rear by navigating around the defective instrumentâ€™s eccentricities with increasing aplomb throughout the Songbook.
Fun-loving, musically naughty ingenuity marks Jorge MartÃ¬nâ€™s City of Orgies, Walks, and Joys! â€“ the audience was palpably caught up by the songâ€™s honky-tonk-meets-cantus-firmus panache. John Gloverâ€™s setting of Matthew Hittingerâ€™s 8:46, Five Years Later takes an intriguingly oblique view of the 9/11 tragedy. Then, modeled on Psalm 137, Julia Kasdorfâ€™s poem On Leaving Brooklyn posits the Borough as the narratorâ€™s Jerusalem. And composer Yotam Haber gives Kasdorfâ€™s verse poignant musical expression. Harumi Rhodes, a violinist, unafraid to dig into her strings, joined the vocal quartet as a fifth voice lamenting for dear Kingâ€™s County.
In Fresh Kills, Christina Courtin pays lovely, ironic tribute to the Staten Island landfill, where much 9/11 debris got sorted. The landfill presently is being converted to a park; future generations will need the songâ€™s meaning explained. RenÃ©e Favand-See sets the image of a Brooklyn bank clock tower, glowing green, effectively against that of murky thunderheads over New Jersey in her nostalgia-tinged Looking West on a Humid Summer Evening. OuLiPo in the Bronx, Christopher Bergâ€™s mischievously intellectual nod to the northernmost of the boroughs, was brightly sung and articulated by Richardson. Split between the four voices, Lisa Bielawaâ€™s Breakfast in New York is a pastiche of banal lines â€“ (luminously set, tuneful gold from teaspoonfuls of dross) – overheard in various diners around town.
Gaissert paced Gabriel Kahaneâ€™s Dunkinâ€™ Donuts-dusted Coney Island Avenue with Broadway-like charisma and put an effective little edge of sarcasm into her voice while singing about â€œthe socialist coffee shop.Â With the nasty vegan cupcakes.â€ Rhodes was given to play an onomatopoeic zum-zum-zumming on her violin when insatiable mosquitos were mentioned in Scott Wheelerâ€™s At Home in Staten Island, which Guth sang with an appealing sound and consistently comprehensible diction.
The only subway line not to travel to Manhattan comes in for heaps of good-humored abuse in Tom Cipulloâ€™s G is for Grimy: An Ode to the G Train. The text goes through dozens of repugnant G-words . . . Garbage, Gutter, Germy . . . before climaxing on Giuliani and ending with Gross. Yet all composers contributing to The Five Borough Songbook are Greatly Gifted, the performances were Graciously Groomed, so as for the upcoming performances in Queens, Manhattan, the Bronx and Staten Island, well, you really must Go, Go, Go, Go!
New York City-â€‹based novelist and freelance writerÂ Scott Roseâ€™s LGBT-â€‹interest by-â€‹line has appeared on Advocateâ€‹.com, PoliticusUSAâ€‹.com, The New York Blade, Queertyâ€‹.com, Girlfriends and in numerous additional venues. Among his other interests are the arts, boating and yachting, wine and food, travel, poker and dogs. His â€œMr. David Cooperâ€™s Happy Suicideâ€ is about aÂ New York City advertising executive assigned to aÂ condom account.
Enjoy this piece?
… then let us make a small request. The New Civil Rights Movement depends on readers like you to meet our ongoing expenses and continue producing quality progressive journalism. Three Silicon Valley giants consume 70 percent of all online advertising dollars, so we need your help to continue doing what we do.
NCRM is independent. You won’t find mainstream media bias here. From unflinching coverage of religious extremism, to spotlighting efforts to roll back our rights, NCRM continues to speak truth to power. America needs independent voices like NCRM to be sure no one is forgotten.
Every reader contribution, whatever the amount, makes a tremendous difference. Help ensure NCRM remains independent long into the future. Support progressive journalism with a one-time contribution to NCRM, or click here to become a subscriber. Thank you. Click here to donate by check.
A ‘Close Ally’ With ‘Strong Ties’ to Marjorie Taylor Greene Was Part of the Capitol Attackers: Report
CNN’s K-File reported Wednesday that someone Rep. Marjorie Taylor Greene (R-GA) called a “friend” was part of the Jan. 6 attack on the U.S. Capitol.
Anthony Aguero, who does live streaming conservative commentary, confessed on video that he had been among those who entered the Capitol. He also contradicted false claims that the Capitol attack was done by “Antifa.”
“We were all there. It was not Antifa and it was not BLM. It was Trump supporters that did that yesterday. I’m the first to admit it, being one myself,” said Aguero in a Jan. 7 video.
“A message was sent,” Aguero said in a streaming video during the Jan. 6 attack as he walked away from the Capitol. “These politicians are not going to continue to get away with the abuse as they’ve been doing. We will continue to press on these individuals.”
According to the report, Greene and Aguero “have worked closely together over the years on causes such as immigration and the border wall and have attended pro-Trump rallies together.”
Many of the videos have been deleted, but CNN captured Greene repeatedly calling Aguero “amazing” and a “friend.”
“On social media, Aguero has called Greene ‘one of my closest friends,'” the report said.
AOC Smacks Down QAnon Congresswoman Marjorie Taylor Greene Over LGBTQ Equality Act
U.S. Rep. Alexandria Ocasio-Cortez D-NY) just slammed “QAnon Congresswoman” Marjorie Taylor Greene over her opposition to the LGBTQ Equality Act. The House will vote on the legislation this week, and is currently engaged in determining the rules for the vote.
Rep. Greene, Republican of Georgia, has been waging war against the bill, falsely claiming it “destroys women’s rights and religious freedom,” and is “evil.”
Greene on Wednesday bragged on Twitter that she had just made a motion to adjourn, in a lame attempt to derail the legislation from moving forward.
— Marjorie Taylor Greene 🇺🇸 (@mtgreenee) February 24, 2021
Congresswoman Ocasio-Cortez blasted and mocked her, saying, “You could just vote ‘no’ instead of trying to get out of work early.”
And she reminded Greene that trans women are women.
You could just vote “no” instead of trying to get out of work early.
And you should probably stop using those hashtags because women’s rights include trans women. ✌🏽🏳️⚧️💜 https://t.co/iJzA5BrLZF
— Alexandria Ocasio-Cortez (@AOC) February 24, 2021
AOC did not stop there.
We’re gonna pass the #EqualityAct today, protect our LGBTQ+ family and make the world a little bit better. 🏳️🌈🏳️⚧️
Nothing is going to stop that.
— Alexandria Ocasio-Cortez (@AOC) February 24, 2021
Last week AOC made headlines after raising over $5 million for the people of Texas harmed by the deadly storm and lack of power and running water.
Biden Moving Quickly to Fire Postmaster General as DeJoy Tells Dems to ‘Get Used To Me’
President Joe Biden is moving quickly to fire Louis DeJoy. Or rather, since the President does not have the power to fire a Postmaster General, he is moving quickly to have him terminated.
Biden is set to nominate three candidates to the Postal Service’s Board of Governors, giving Democrats a majority, The Washington Post reports.
The President “will nominate Ron Stroman, the Postal Service’s recently retired deputy postmaster general; Amber McReynolds, the chief executive of National Vote at Home Institute; and Anton Hajjar, the former general counsel of the American Postal Workers Union,” the Post reports.
McReynolds’ inclusion was hailed, given her work as a voting rights advocate.
Earlier Wednesday DeJoy snarkily told Democrats they will have to “get used to” him, saying he has no plans to resign despite the millions of dollars of damage to postal machines he caused, and despite the massive delays in mail delivery times he created. Many believe those actions were taken after President Donald Trump waged war on mail-in voting which Democrats advocated for to save lives during the coronavirus pandemic. It was, many say, a concerted effort to undermine the election.
“Get used to me.”
— Postmaster General Louis DeJoy rejects the notion he’s “a political appointee” and plans to stay in his role “for a long time.” pic.twitter.com/VQTEGx07Zu
— The Recount (@therecount) February 24, 2021
- SELF-INFLICTED WOUND2 days ago
‘We Have Become Disfigured’: Christian Fears Trump Years Have Permanently Scarred Evangelicals
- News2 days ago
‘Does Quarantine Not Apply to Senators?’: Ted Cruz Blasted for Garland Questions – and for Going to DC After Cancun
- NOPE NOPE NOPE3 days ago
Ex-Top Trump Aide Larry Kudlow: Texas Power Outages Are ‘The Consequences’ of Electing Joe Biden
- RIGHT WING EXTREMISM2 days ago
‘Attacking God’: QAnon Congresswoman Marjorie Taylor Greene Rants ‘Disgusting’ LGBTQ Equality Act is ‘Evil’
- HYPOCRISY2 days ago
‘Dumber and Smarmier’: Critics Slam Collins Over Announcement She Will Vote Against Tanden for ‘Temperament’
- OPINION2 days ago
‘Jim Crow Joe’ Manchin Accused of Working to ‘Derail’ Biden’s Agenda – Some Now Accuse Him of Racism and Misogyny
- WHAT TOOK SO LONG?2 days ago
CPAC Cancels QAnon-Promoting Speaker Who Links Christianity to Pedophilia and ‘Caucasians’ to ‘Bestiality’
- News2 days ago
Watch: Merrick Garland Tears and Chokes Up When Asked to Describe His Personal Experience Confronting Hate