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I Wish I Knew How It Would Feel To Be Free: On Rise Of The Planet Of The Apes And The Help



There is…a myth about America to which we are clinging which has nothing to do with the lives we lead…this collision between one’s image of oneself and what one actually is is always very painful and there are two things you can do about it, you can meet the collision head-on and try and become what you really are or you can retreat and try to remain what you thought you were, which is a fantasy, in which you will certainly perish.

-James Baldwin, (Nobody Knows My Name, 1961)


You know something very bizarre is going on in Hollywood when the movie “Rise of Planet of the Apes” tells more about the black experience in America than “The Help.”

I went to see Rise of the Planet of the Apes because it’s summer, the time for escapist movies, and right now there is a lot I want to escape from. I’m tired of hearing about the Tea Party and debt ceilings; Christine O’Donnell, pampered and indulged by Fox News, just walked off Piers Morgan’s talk show because he had the nerve to ask her as a politician about her views on gay marriage and Don’t Ask, Don’t Tell: the Bush insanity is making a comeback. I go back and forth between being outraged and disappointed with Obama and feeling genuinely sorry for him. Having not run for president as a black person, he can’t play the “discrimination” card against John Boehner & Co. now when he needs it most. (Whether he has the most powerful position in the world or works at McDonald’s, Obama’s black in America, which means he has to deal with at least one racist white person at his job.)

An hour into Rise of the Planet of the Apes, and on the verge of tears, I felt questions of politics and race more present than ever, and thought, “What the hell is going on in this movie?” So much for escapism.

One thing that was definitely going on was the beauty of Andy Serkis’ peformance as the chimpanzee Caesar. (Regrettably, it is almost impossible to discuss the film without giving away some plot details.) Caesar’s mother is killed after she goes on a destructive rampage in the laboratory where she has been used for drug testing. It is later discovered that she was trying to protect the baby no one knew she had. Caesar, as he is later named, has absorbed traces of the drug given to his mother to reverse the effects of Alzheimer’s. The drug, it is soon discovered, also has the effect of increasing mental ability. When the research is terminated, all the chimps are put down, but one of the scientists, Will Rodman, played by James Franco, sneaks Caesar home from the lab and raises him. Caesar goes from an adorable baby to a soulful, intelligent adult. When, during a misunderstanding, Caesar attacks a neighbor fighting with Will’s father, he is sent to a court-ordered sanctuary and forced to stay there, separated from everyone he knows and loves. It becomes clear that the sanctuary is a brutal place, and the apes there reflect long-term oppression and neglect: rage, depression, sickness, in-fighting, hysteria, and heartbreak. Rodman is forced to leave Caesar, and is tricked into thinking the sanctuary is a safe place. The apes are kept in dark, damp cages out of sight, where they are treated cruelly, taunted by a white overseer.

So many things are happening in these scenes: the primates in their cages and the attempts to the communicate through the bars despite their differences (Caesar befriends a circus orangutan), recalls enslaved Africans trying to communicate with each other whilst speaking different languages during the Middle Passage. At one point, Caesar has a hose turned on him as punishment for rebelling, recalling images of brutality from the civil rights movement. The man who runs the Sanctuary tells Rodman to make sure to call before he comes, meaning he wants time to prepare for his visit and hide the signs of abuse. Rise of the Planet of the Apes then becomes a movie about those thrown away in our society, about institutional care for the mentally ill, or elder care when patients are left to waste, only to be “cleaned up” for their families on visiting days. In the yard, when all the apes are briefly allowed to leave their cages, Caesar is forced to defend himself from another inmate. The viewer experiences the horror of being incarcerated, of having to survive within the prison system. Because there is no condescension in Serkis’ performance, nor in the writing or directing, the scenes have the power to overwhelm one emotionally. When the apes orchestrate their break from the “sanctuary” there is a soulful look between Caesar and the orangutan, a deep, mature, knowing exchange that made me want to sit up and shout, “Now that was definitely a black look!”

At one point in the movie, when the testing of the drug is reinstated, a new chimp named Koba is brought in, who has clearly been through hell. His face alone can move one to tears, or terror. I loved the movie at this point for showing us that face, because every black person in America has at least one family member with a face like that, whether we admit it or not. It’s the cousin in prison, or the relative driven mad by racism or poverty. It’s the face of an angry slave, a face that has been whipped and tortured. It’s a dangerous face, a face that you keep incarcerated, or your boot pressed down against, because if that face ever gets up, it’s going to have something for your ass. (There’s no face like this, by the way, in The Help.)

On one of the promotional posters I saw, an ape is holding up his fist, Black Panther Party-style, and the tagline reads, “Evolution Becomes Revolution.” Could it be that when Hollywood finally decides to tell the truth about black lives, it’s Rise of the Planet of the Apes? And, if so, how fucking shady is that? Perhaps no one would come to see a bunch of black people rioting and throwing metal spears at police cars (spears made from the broken fence of the local zoo where the primates liberate others from captivity), but they’ll watch these apes. And with one very cruel exception, the apes are surprisingly non-violent. They kick ass, but only when they feel they have to: and there are many instances where the film could have poured on the sadism, but the apes make their point, and let the people go. They don’t want revenge for revenge’s sake, but self-determination.

(One person they don’t let go, however, is the greedy, unscrupulous black man who finances and runs the lab. David Oyelowo may have the singular distinction of being the longest-surviving black man in a horror film. I wasn’t sure what to make of his casting, but it does provide an interesting curly-cue, having the evil capitalist in the movie be black. (Shades of Condi Rice?) As more blacks seem to be craving a piece of the corporate, capitalist pie without apology, or scruples, Rise of the Planet of the Apes may be making the point that to the oppressed and the poor, the distinction between whites and blacks in power may not be so distinct anymore.)

I came out of Rise of the Planet of the Apes feeling larger and beautiful, which isn’t easy for a black man to admit, because the last thing you want anyone to compare you to, or to compare yourself to in a racist society, is an ape. I am aware that a white writer might seriously hesitate to write a piece comparing Caesar to a black man. But the real truth of the movie is an emotional one, transcending race and categorization. Rise of the Planet of the Apes could have been done in the “blaxploitation” tradition, a revenge fantasy for the oppressed, but it goes deeper than that. It speaks to anyone who has been brutalized, but even more significantly, underestimated. And if you’ve ever been raped, or bashed, or bullied, or called a faggot for being gay, or “caged” by being made “other”, you know what it means to want to escape from the cruelty of being unvalued, to find your own sense of self-definition and power.

When Rodman is reunited with Caesar in the forest and offers to bring him home, Caesar, who is now smart enough to talk, says, “Caesar is home” with the resonance and power of James Earl Jones. He starts out the child of a kidnapped mother that he never really knew (a mother captured by black hands in the movie’s preamble, referencing African tribes’ participation in the slave trade), and through intelligence and skill survives the prison his oppressors put him in. Creating a liberation experience from his incarceration (Nelson Mandela), he finds his courage and independence and becomes a leader.

Nina Simone sings, “I wish I knew how it would feel to be free. I wish I could break all the chains binding me.” It feels utterly bizarre to suggest people of color see Rise of the Planet of the Apes because of its healing power, but I will say that when Caesar’s black hand opens his cage for the first time, you feel the potential to be released from your own, and you rejoice.

Please continue to Part II.

Max Gordon is a writer and activist. He has been published in the anthologies Inside Separate Worlds: Life Stories of Young Blacks, Jews and Latinos (University of Michigan Press, 1991), Go the Way Your Blood Beats: An Anthology of African-American Lesbian and Gay Fiction (Henry Holt, 1996) and Mixed Messages: An Anthology of Literature to Benefit Hospice and Cancer Causes. His work has also appeared on openDemocracy, Democratic Underground and Truthout, in Z Magazine, Gay Times, Sapience, and other progressive on-line and print magazines in the U.S. and internationally.

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‘Can Be Used Against You’: Trump Took Big Risk Pleading the Fifth 400 Times in Deposition Says Legal Expert



A newly released video shows Donald Trump pleading the Fifth Amendment hundreds of times in a deposition, and a legal expert explained how that could be used against him in court.

The former president was finally hauled in to testify last year in the $25 million fraud lawsuit filed against the Trump Organization by New York attorney Letitia James, and he exercised his constitutional right against self-incrimination nearly 450 times — but MSNBC legal analyst Andrew Weissmann said the move carried potential risk in a civil case.

“I agree with him on the point of taking the Fifth,” Weissmann said. “It’s important to remember everyone has a right to the Fifth if a truthful answer would tend to incriminate you. In a civil case, it can be used against you, unlike in a criminal case.”

“One other thing I would disagree is when he is saying there’s this witch hunt, he left out jurors,” Weissmann added. “The Trump Organizations went to trial, they had their day in court. They could present all of their evidence, [and] 12 jurors, that’s everyday citizens, found beyond a reasonable doubt that there was a multi-year tax conspiracy that his organizations were involved in, and there was evidence he knew about it as would make sense. That’s one more reason for him to be asserting the Fifth Amendment.”

Watch video below or at this link.

Image via Shutterstock

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Stefanik Was Once ‘Laser Focused on Electing Santos’ – Now She Blames Voters for Electing Him as She Backs Away



One of the most powerful Republicans in the House of Representatives, U.S. Rep. Elise Stefanik (R-NY), used her reputation and geographic proximity to help get fellow New York Republican George Santos elected to Congress. But now, as her donors and his express anger at being misled and lied to, and ahead of what appears to be a likely federal investigation and possible prosecution against the freshman GOP lawmaker, Stefanik is blaming voters for electing him to Congress: “Ultimately voters make this decision,” she said Tuesday.

Stefanik is the Chair of the House Republican Conference, a role she was first elected to when the now former Congresswoman, Liz Cheney, was thrown out of GOP leadership for telling the truth about the January 6 insurrection and Donald Trump. Stefanik was re-elected to her role after the November election.

Amid Santos announcing on Tuesday he is temporarily recusing himself from the two committees he was appointed to, Stefanik was asked if she regretted supporting his candidacy.

Indeed, one of the top reasons Santos was elected was Stefanik’s endorsement – and all the donor money that came with it.

READ MORE: 2024 Fundraising Fail: Trump Took in Less Money After Declaring Run for President Than Before

“Stefanik’s team was laser focused on electing Santos to Congress – more than just about any other race in the country,” a senior Republican strategist involved in campaigns before the midterms told CNN. “Another donor, who attended a fundraising luncheon with Stefanik and Santos, confirmed to CNN through a representative that ‘he donated to George Santos because of Elise Stefanik’s endorsement.'”

It wasn’t just her endorsements. It appears Stefanik took great interest in getting Santos elected. CNN also reported that a source “said that a top political aide for Stefanik was involved in campaigning for Santos. Multiple sources told CNN that aide was closely advising Santos’ campaign and involved in hiring people.”

Stefanik’s spokesperson denied the allegations.

In July, Santos tweeted that Stefanik “has been one of my strongest backers and closest friends. I fully stand with her vote today as she stood up for civil rights. I look forward to serving alongside her when I’m elected to Congress in November.”

In fact, this was the banner atop Santos’ Twitter account for a very long time, up until recently:

Here is Stefanik tweeting her “major announcement” – her endorsement of Santos – on August 11, 2001, more than a year before Election Day.

READ MORE: ‘Ran a Bribery Center Blocks From the White House’: Comer Mocked for Claiming No Evidence of Trump Influence Peddling

“Excited to endorse my friend and fellow America First conservative George Santos for Congress in #NY03. @Santos4Congress will take on NYC liberal elites and bring a new generation of GOP leadership to NY and America. He has my full support!”

And in May of last year: “WOW! Great lunch event for @Santos4Congress! We raised over $100,000 to help George FLIP #NY03 George has my complete and total endorsement and come November, New Yorkers will send George to Congress! #SaveNewYork #SaveAmerica”

She literally told voters that electing George Santos to Congress will “Save New York” and “Save America.”

On Tuesday, Stefanik told voters something very different: it’s their fault they voted for him, she said, taking no responsibility for her endorsements.

“Like all of my colleagues, particularly in New York State, I supported George Santos as the nominee, and the people of his district voted to elect him,” she told reporters – not once mentioning there was no Republican primary and Santos automatically became the Republican party’s nominee.

READ MORE: Listen: Stefanik-Endorsed GOP Candidate Praised ‘Inspirational’ Adolf Hitler as ‘The Kind of Leader We Need Today’

“Ultimately voters make this decision about who they elect to Congress,” Stefanik declared, wholly removing herself, her endorsements, and any possible assistance she or her campaign may have given to Santos or his campaign.

See the tweets and video above or at this link.

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Santos Recuses Himself From Committees Amid Possible Criminal Investigation



Embattled freshman U.S. Rep. George Santos (R-NY), in what is the first time he has taken any steps to acknowledge the depths of political and now possibly criminal challenges he faces, says he will recuse himself from his committee assignments until his ethics issues have been resolved.

Santos also told his Republican colleagues of his plans on Tuesday, NBC News reports. Santos is on the Science and Small Business committees.

The Daily Beast’s Roger Sollenberger, who has provided extensive reporting on the Republican frequently called a “serial liar,” adds that the Santos’ announcement came after a meeting with Speaker Kevin McCarthy.

“With all signs pointing to an active federal criminal investigation into his campaign finance activity, Santos has ‘voluntarily’ declined—after meeting last night with Kevin McCarthy—to stay off of committees, as Republicans try to sideline Ilhan Omar,” Sollenberger reports.

READ MORE: DOJ Signals It Is Conducting a Criminal Investigation of George Santos

Sollenberger broke the news that Santos, or his campaign, amended his FEC filing to indicate $625,000 in “personal” loans to his campaign were not actually from his personal funds.

Republicans are trying to keep U.S. Rep. Ilhan Omar (D-MN), one of their regular, prime targets, from taking her seat on the Foreign Affairs Committee. Speaker McCarthy has already blocked Democratic Congressmen Adam Schiff and Eric Swalwell from the House Intelligence Committee, invoking his ability to do so because it is a Select committee and subject to the Speaker’s decisions.

MSNBC reported the breaking news on-air. Watch below or at this link.

This is a breaking news and developing story. Details may change.

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